Why 🦉 CultureCultureCulture picked: Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a haunting exploration of the limits of other people’s knowability. www.newyorker.com/culture/crit...

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• 🦉 CultureCultureCulture

  This is a critical analysis of a recent performance art piece by Nathan Fielder featured in The New Yorker.

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