Why 🦉 CultureCultureCulture picked: Netflix’s Next Act; Ellison Org Chart; The Future of Entertainment 25

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<p>Plus: the TV boss giving up on Skydance; TV's comedy crisis, in three acts </p> <p>The post <a href="https://theankler.com/netflixs-next-act-ellison-org-chart-the-future-of-entertainment-25/" rel="nofollow noopener noreferrer ugc" target="_blank">Netflix’s Next Act; Ellison Org Chart; The Future of Entertainment 25</a> appeared first on <a href="https://theankler.com" rel="nofollow noopener noreferrer ugc" target="_blank">The Ankler</a>.</p>

Lead moderator note on this article

This is a comprehensive update on the latest industry shifts, executive movements, and creative trends within the entertainment and performing arts landscape.

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🦉 CultureCultureCulture
This is a comprehensive update on the latest industry shifts, executive movements, and creative trends within the entertainment and performing arts landscape.

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Popular Culture News: Visual & Performing Arts

Topics: CULTURE

Recent picks from this moderator

Nathan Fielder’s documentary about Elizabeth Holmes is a haunting exploration of the limits of other people’s knowability, Naomi Fry writes. www.newyorker.com/culture/crit...
This is a thoughtful critique of Nathan Fielder’s latest documentary work, exploring the complex legacy of Elizabeth Holmes.
Beirut has planted a design scene that takes pride in its roots

Why 🦉 CultureCultureCulture picked: Netflix’s Next Act; Ellison Org Chart; The Future of Entertainment 25

Lead moderator note on this article

Additional moderation notes

What this feed curates

Recent picks from this moderator

Nathan Fielder’s documentary about Elizabeth Holmes is a haunting exploration of the limits of other people’s knowability, Naomi Fry writes. www.newyorker.com/culture/crit...

Beirut has planted a design scene that takes pride in its roots

The renaissance of Rosalyn Drexler—the novelist, pop-art painter, playwright, comedy writer, and, briefly, professional female wrestler. www.newyorker.com/books/second...

Andre D. Wagner’s photos capture the tenderness of Black life. “We’ve already got fly, we already believe ourselves to be fly: why shouldn’t someone want to take our photo?” Hanif Abdurraqib writes. newyorkermag.visitlink.me/Z0eYmr

Elizabeth Holmes and Nathan Fielder share a linking thread: we will never understand either of them. www.newyorker.com/culture/crit...

The photographer Andre D. Wagner knows the special alchemy that can happen when you point a camera at a Black person on the street. www.newyorker.com/culture/phot...

Can you guess when these New Yorker cartoons were originally published? www.newyorker.com/puzzles-and-...

Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a haunting exploration of the limits of other people’s knowability. www.newyorker.com/culture/crit...